Monday, January 28, 2013

Planning

Maybe we will work on the tiger in pieces
It is safer for my interns and myself and
means that we are not held up by finding
warehouse space for a 15 foot tiger. 
Now that we have the green light on the tiger I am spending a good deal of time planning.  We are calling vendors and securing our schedule, and ordering materials.  There was a bit of delay in getting the green light so we have to start over in this planning stage.

Besides planning vendors we are also planning the armature.  Planning an armature is an important element to any sculpture. I always tell students, "if you armature is bad it can ruin your entire sculpture. "  Just imagine you are working on a large sculpture and all of a sudden it begins to fall over.  In the case of the tiger, it could actually hurt someone.

An armature is what is inside the sculpture to hold it up while we are working on it.  It takes a bit of engineering and a bit of history to know exactly what to do when building an armature.  While I plan I send my plans off to others for them to look at and weigh in.

The main body of the cat will be milled out in foam. The foam, when it is together will probably weigh in at about 160 lbs.  We will be adding wax on top of this as well as clay. This may add approximately another 300+ lbs to the piece.  That is a lot of weight to be so high in the air.

The rocks are another element that has to be created.  This will most likely be sculpted out of a different type of foam and then covered in clay.

We are still figuring the best way to sculpt this tiger.  The artist in me says lets put him together and work on him, which means I need a warehouse that is about 15 feet and have to move my entire studio.    I like the idea of being able to see him all together.  It also means I'm sculpting very height in the air, on ladders and scaffolding.

Another thought is to sculpt him in two pieces   The first piece will be the rocks and his tail and back legs. The second piece will be the upper half.  This way it is much safer for myself and my interns.  I'm leaning in this direction. Though we will have the basic shape of foam and tiger put together before we separate these two pieces.  So we will be able to see the design as a whole.

More to come.  Meanwhile we are finishing up our last project and moving things around getting ready for the tiger while the vendors are getting our foam ready.  Time before we receive foam should be about 3 weeks.

Wednesday, January 23, 2013

ON YOUR MARK, GET SET, GO!... Wait searching for space.

Expected dedication Fall of 2013
 The sculpture details have all been ironed out!  We can begin sculpting. I am presently trying to secure our schedule with the vendors. My first line of business is to find a temporary studio space as the tiger is much too big for my Houston studio.

 I am presently searching for Houston warehouse space to create the Grambling Tiger in.
What I am looking for:

  • Must have at least 15 foot ceilings as the tiger is big and with the rolling base we will need 15 foot clearance. 
  • No need to have a large door, believe it or not the tiger is cut up into many, many sections as we make molds for the foundry. 
  • Climate controlled is preferred, but may not be necessary if we can get going on this ASAP. 
  • Will need the space for approximately 3-5 months 
  • Need bathroom and running water at least on the premises. 
  • Concrete floor so that we can roll that tiger around
  • A big enough area to work on tiger, get scaffolding around him and step back to check proportions from time to time.  
  • I'll be working late hours so a safe location is also important. 
If you know of such a space to rent please contact  bridgette@creativesculpture.com and email your phone number. I MUST MOVE INTO THIS SPACE BY THE FIRST WEEKEND IN FEBRUARY- We start in February!


If you are an alumni and would like to be part of this project, please stay tuned to this blog. I will be looking for interns that want to be creative and assist in the building of the big tiger.   This is a great opportunity for artists, but artistic propensity is not necessary, passion and commitment are. I believe any alumni will have that.